Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

盲目的丈夫们：爱情与谎言的迷宫

剧集简介：

《盲目的丈夫们》是一部悬疑爱情剧，讲述了四个看似幸福美满的家庭，却隐藏着不可告人的秘密。四位丈夫，都对自己的妻子深信不疑，却不知道她们背后隐藏着令人震惊的真相。随着一个意外事件的发生，真相逐渐浮出水面，每个人都深陷其中，无法自拔。

主要角色：

陈宇航：一位事业成功的律师，对妻子林薇的爱深沉而坚定。他为人正直，相信妻子，却不知她背后隐藏着惊天秘密。

林薇：陈宇航的妻子，美丽而优雅，经营着一家服装店。她表面温柔贤淑，实际却有着自己的秘密计划。

王志远：一位著名作家，深爱着妻子张晓兰，却对她的某些行为感到不解。他以为自己了解妻子，却不知道她隐藏了多少秘密。

张晓兰：王志远的妻子，一位美丽而神秘的女人。她深爱着丈夫，却有着自己的野心，为了自己的计划，不惜一切代价。

李浩然：一位年轻有为的企业家，对妻子李晓玲宠爱有加。他认为自己拥有完美的婚姻，却不知道妻子早已背叛了他。

李晓玲：李浩然的妻子，一位外表天真无邪，内心却充满阴谋的女人。她为了自己的利益，不择手段，甚至不惜牺牲一切。

剧情梗概：

故事从陈宇航发现妻子林薇手机里的陌生短信开始。他试图查明真相，却发现林薇与其他男人关系暧昧，并且有着不为人知的秘密。他开始怀疑妻子，并对婚姻产生了动摇。

与此同时，王志远也发现了妻子张晓兰的异常举动。他发现她经常深夜外出，与神秘人物见面，并且对自己的创作表现出异样的兴趣。他怀疑妻子可能另有秘密，但无法找到确切的证据。

李浩然则发现妻子李晓玲经常与公司竞争对手的负责人秘密会面。他感到愤怒和伤心，质问妻子，却遭到她的否认。他开始调查妻子，发现她一直在利用自己的身份谋取私利。

随着调查的深入，陈宇航、王志远和李浩然逐渐发现，他们的妻子并非他们想象中的那样完美，她们背后隐藏着令人震惊的阴谋。而这些阴谋，都与一场突发的意外事件有关。

意外事件的发生，让四位丈夫终于看清了妻子的真面目。他们感到愤怒、伤心、失望，却也意识到，他们被爱情蒙蔽了双眼，对妻子一直都存在着盲目信任。

剧集看点：

悬疑跌宕：层层递进的剧情，不断反转的真相，让观众始终保持着高度的关注和期待。

人物复杂：每个角色都有自己的秘密和欲望，他们之间的关系错综复杂，充满着爱恨纠葛。

情感细腻：剧集展现了爱情、信任、背叛、欲望等复杂的情感，引发观众对婚姻、爱情和人性等问题的思考。

结局反转：最终的真相令人意想不到，故事的结局也充满着悬念，留下无限回味。

《盲目的丈夫们》是一部充满悬疑和思考的剧集，它揭示了爱情与谎言的迷宫，也提醒人们，在爱情中，不要盲目信任，更要保持理性，看清真相。