Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.                                    
                               　　The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.                                    
                               　　If you miss it you will have to repent!

《眼泪不再》是一部反映社会现实的家庭伦理剧，讲述了一个普通家庭中发生的种种争吵、误会、矛盾和挫折，以及家庭成员之间的感情危机和磨难。剧中凸显了家庭成员的纠结和挣扎，通过这些矛盾的冲突，揭示了家庭成员之间的真实情感和内心世界。

剧中的女主角是一个事业有成的职场女性，她在家庭中扮演多重角色，既是事业有成的职场精英，又是贤妻良母，但在应对家庭矛盾和挑战时，却显得力不从心。她经常为了事业忽略家庭，导致家庭关系紧张，家人之间的交流也变得越来越少。

而她的丈夫则是一个为了家庭奔波奋斗的男人，为了养家糊口不辞辛苦，但是他的工作压力和家庭责任却让他倍感疲惫。在婚姻中，他们的矛盾日益尖锐，双方之间的关系也逐渐变得紧张。

而他们的孩子则是受着家庭矛盾的影响，越发孤僻和叛逆。在成长过程中，面对家庭的种种问题，孩子们也开始逐渐迷失自我，无法找到自己的出路。

在家庭矛盾不断加剧的情况下，女主角无意间发现了丈夫的一段隐瞒已久的过往，这让整个家庭陷入了更深的危机之中。在处理这一危机时，家庭成员之间的冲突和矛盾愈发激烈，但也在这一过程中，他们学会了理解与尊重，慢慢拉近了彼此的距离。

最终，家庭成员在一次次挑战和磨砺中，通过真诚的交流和沟通，共同面对家庭危机，重新建立起了爱与尊重的纽带，让眼泪不再成为家庭的标志，展现了家庭成员之间牢固的亲情和温暖的爱。

《眼泪不再》通过家庭成员之间的矛盾和挣扎，呈现出了现代家庭的真实面貌和成员之间的感情危机，同时也传递出了珍惜家庭、尊重家人的正能量。