Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

卧龙战警：一场正义与复仇的交响曲

《卧龙战警》讲述的是一个关于卧底警探、黑帮斗争以及复仇的故事。影片以其紧张刺激的剧情、精妙的悬念设置和演员的精彩演绎，成功地吸引了观众的注意。

影片的主角是经验丰富的卧底警探陈龙，他奉命潜入黑帮组织龙虎帮，搜集证据，以期将这个势力庞大的犯罪集团绳之以法。陈龙在卧底生涯中，逐渐赢得了黑帮老大龙哥的信任，并成为其得力助手。然而，他的卧底身份始终如同一颗定时炸弹，随时可能引爆。

在一次行动中，陈龙的搭档李强惨遭龙虎帮杀害，这让他悲痛欲绝。他决心以李强的死作为报复的契机，誓要将龙虎帮彻底摧毁。但为了完成任务，他不得不隐忍，继续留在龙虎帮内部，寻找机会。

陈龙在龙虎帮的卧底生活并非一帆风顺，他面临着巨大的心理压力和危险。龙哥的狡猾多疑，帮派内部的尔虞我诈，都让陈龙步步惊心。他必须时刻保持警惕，才能不被识破身份。

与此同时，陈龙也逐渐对龙虎帮的内部运作有了更深的了解。他发现龙哥的真实身份远比表面看起来要复杂，背后隐藏着更大的阴谋。随着调查的深入，陈龙也逐渐明白，自己所面对的不仅是龙虎帮，更是一个庞大的地下势力网络。

在一次关键行动中，陈龙意外发现龙哥准备进行一项危险的交易，这将对社会造成巨大的危害。为了阻止龙哥的阴谋，陈龙决定铤而走险，将龙虎帮的犯罪证据公之于众。

然而，龙哥早已察觉到陈龙的卧底身份，并对他展开了疯狂的追杀。陈龙在与龙虎帮的激战中，身负重伤，但始终没有放弃。最终，在警方的支援下，他成功地将龙虎帮彻底瓦解，也为李强的死报了仇。

影片的结尾，陈龙站在夕阳下，望着城市的天际线，眼神中充满了复杂的情感。他为完成任务而感到欣慰，但也为失去的战友而感到悲伤。他明白，正义的道路永远充满荆棘，但为了守护城市的安全，他将继续战斗下去。

《卧龙战警》不仅仅是一部动作片，更是一部探讨正义、复仇和人性的电影。它展现了卧底警探的艰辛和危险，也反映了社会黑暗势力与正义力量的斗争。影片的成功，离不开导演对剧情的精妙掌控，以及演员的精彩演绎。它是一部值得一看的警匪片，必将在观众心中留下深刻的印象。